Posted by JT
Dokken was known for high-pitched wails from singer Don Dokken and some of the most shedtastic riffs from guitarist George Lynch. The pair had worked together since the group’s full-length debut Breaking the Chains in 1981. In 1999, Dokken, Jeff Pilson, and Mick Brown teamed up with Winger guitarist Reb Beach, one of the most underrated rock guitarists in history, and released Erase the Slate, the first full-length Dokken record without George Lynch.
The album was released by CMC International, an independent record label that was known for promoting hard rock bands from the 1980s who found themselves without a label home after the rock implosion of the early 1990s. CMC International’s roster boasted some of the biggest names in hard rock history, including Judas Priest, LA Guns, Slaughter, and Warrant.
At the time of Erase the Slate’s release, I was working at a small radio station in Hartford, Kentucky. I spearheaded a format change at the radio station, switching from country music to classic rock (and new music by classic rock artists). My definition of classic rock music included such bands as Ratt, Mötley Crüe, and Poison—more progressive at that time than most—so it was not difficult to work Dokken into the rotation as well. Two songs from Erase the Slate were featured heavily on the radio station: “Maddest Hatter” and the cover of Harry Nilsson’s “One.”
Beach only lasted one album with Dokken; he has since recorded with Whitesnake and the reunited Winger. John Norum of Europe fame played guitar on Dokken’s next release, Long Way Home; he had previously played on Don’s 1990 solo effort, Up From the Ashes. .Jon Levin manned the position on the last three.