The 2020 Rock & Roll Hall of Fame nominees have been announced, and heavy metal icons Judas Priest appear for the second time. They were previously nominated in 2018.
Judas Priest are in the screaming metal thrill zone again with our second RRHOF nomination especially as we approach our 50 Heavy Metal Years Anniversary in 2020……so please vote!
The other nominees are Pat Benatar, Dave Matthews Band, Depeche Mode, The Doobie Brothers, Whitney Houston, Kraftwerk, MC5, Motörhead, Nine Inch Nails, The Notorious B.I.G., Rufus featuring Chaka Khan, Todd Rundgren, Soundgarden, T.Rex, and Thin Lizzy. Fans can vote via Google…just type in “Rock Hall” or one of the nominees, and the ballot appears. You can select up to five nominees.
I expect NIN and B.I.G. to get in, and probably Soundgarden. Past that, it’s a toss-up. I would love to see Priest and Motörhead make it in, but the Hall is notoriously anti-metal.
Gavin (of Baseball Card Breakdown fame) has created a new blog dedicated to the 1991 Pro Set MusiCards set. I had toyed with a similar idea last year, but glad I never went forward with it. I would have probably flamed out about card #12 and I’m sure Gavin’s posts will be far better than anything I could have written. Blogs are a lot of work, and my interests have shifted to other areas. While I still collect cards, the hobby has taken more of a backseat now and my focus is elsewhere.
What interests me most about Gavin’s site are the custom cards. I love creating “fun cards,” and I’m not alone. Gavin is one of the best out there. So far, he has created custom Pro Set MusiCards of Paw, George Harrison, J.J. Cale, and Neil Young, as well as some non-Pro Set cards for the blog. I can’t wait to see what else he comes up with.
Gavin is also running a contest to promote the blog. Follow his instructions on this post for a chance to win some pretty awesome baseball cards. If I win, I’m definitely going for the Sadaharu Oh card.
The Cars frontman and producer extraordinaire Ric Ocasek was found unresponsive in his Manhatten townhouse today. He was pronounced dead at the scene. The cause of death has not been released.
In 1983, Ronnie James Dio released an epic debut album called Holy Diver. In 1984, he recorded with the same core lineup of Vivian Campbell, Jimmy Bain, and Vinny Appice, adding keyboardist Claude Schnell to the mix, and unleashed The Last In Line. The album reached #23 on the Billboard 200 charts, and three singles—“Mystery,” “We Rock,” and the title track—received a lot of attention from rock radio stations in the United States. The album was certified platinum in 1987.
Campbell, Bain, Schnell, and Appice used the name of this album to form a new band in 2012, teaming up with vocalist Andrew Freeman to perform Dio classics and write new material. The group has released two albums so far, Heavy Crown in 2016 and II in 2019. Sadly, Bain passed away in 2016; Phil Soussan took over bass guitar duties.
The most enduring song from the album, however, is a parody of Don McLean’s 1971 hit, “American Pie.” Yankovic took the song and transformed it into an ode to George Lucas’ Star Wars Episode I: The Phantom Menace.
In addition to all the parodies, Yankovic shows his chops as a songwriter with six original compositions in various styles. My personal favorite of these is the 11-minute opus “Albuquerque” that closes the album.
I have loved “Weird Al” since I first discovered his music in elementary school, though he has currently stopped performing in concert a couple of the songs that drew me to his brilliance—“Eat It” and “Fat,” both parodies of Michael Jackson hits. He has not decided whether he will retire them permanently or not, but with the renewed scrutiny of Jackson’s alleged indiscretions, Yankovic has decided to remove them from his current repertoire.
Will you hate me if I say that Faith No More is epically overrated? “Epic” was a pretty good (and pretty overplayed) song from the band’s third album, The Real Thing. I love the piano outro, but the rest of the song (and album) never truly resonated with me. The album, released June 20, 1989, was certified Platinum in September 1990 and peaked at #11 on the Billboard 200 in October 1990.
The Real Thing was nominated for a Grammy for Best Metal Performance in 1990, but lost to Metallica’s “One” (both albums and songs are eligible for such nominations in pop categories). “Epic” was nominated for Best Hard Rock Performance in 1991, but lost to Living Colour’s album Time’s Up. Another song from FNM’s album, “Falling To Pieces,” won the MTV Video Music Award for Best Visual Effects in a Video in 1991.
Hardly a groundbreaking album, but somewhat entertaining nonetheless, Rod Stewart released Camouflage on June 18, 1984. The record saw the reunion of Stewart with guitarist Jeff Beck, who he worked with on the firsttwo Jeff Beck Group albums. Beck contributed his guitar wizardry to three songs on Camouflage and made a cameo in the video for “Infatuation.”
Stewart hit the Billboard Hot 100 charts with three singles: “Infatuation” (#6), a cover of the Persuaders’ song “Some Guys Have All The Luck” (#10), and a cover of the Free classic “All Right Now” (#72). Stewart (with Beck) also recorded a cover of Todd Rundgren’s 1978 song “Can We Still be Friends. Rundgren’s original reached #29 on the Billboard Hot 100 in 1978, and Robert Palmer scored a minor hit with it in 1979. Stewart’s version was not released as a single.
Dokken was known for high-pitched wails from singer Don Dokken and some of the most shedtastic riffs from guitarist George Lynch. The pair had worked together since the group’s full-length debut Breaking the Chains in 1981. In 1999, Dokken, Jeff Pilson, and Mick Brown teamed up with Winger guitarist Reb Beach, one of the most underrated rock guitarists in history, and released Erase the Slate, the first full-length Dokken record without George Lynch.
The album was released by CMC International, an independent record label that was known for promoting hard rock bands from the 1980s who found themselves without a label home after the rock implosion of the early 1990s. CMC International’s roster boasted some of the biggest names in hard rock history, including Judas Priest, LA Guns, Slaughter, and Warrant.
At the time of Erase the Slate’s release, I was working at a small radio station in Hartford, Kentucky. I spearheaded a format change at the radio station, switching from country music to classic rock (and new music by classic rock artists). My definition of classic rock music included such bands as Ratt, Mötley Crüe, and Poison—more progressive at that time than most—so it was not difficult to work Dokken into the rotation as well. Two songs from Erase the Slate were featured heavily on the radio station: “Maddest Hatter” and the cover of Harry Nilsson’s “One.”
Beach only lasted one album with Dokken; he has since recorded with Whitesnake and the reunited Winger. John Norum of Europe fame played guitar on Dokken’s next release, Long Way Home; he had previously played on Don’s 1990 solo effort, Up From the Ashes. .Jon Levin manned the position on thelastthree.
In 1983, 
Will you hate me if I say that 
Hardly a groundbreaking album, but somewhat entertaining nonetheless, 
